寧峰演繹帕格尼尼24首隨想曲全集音樂會
2021/7/9 14:33:33 www.chefboxsir.cn 點擊：537次
時間：2021.09.01 周三 19:30
場館：南通市 | 啟東保利大劇院-南通市
寧峰，小提琴
作為享譽各國的小提琴家，寧峰以其音樂中飽滿的抒情性，天生的樂感和令人嘆服的演奏技巧受到國際樂壇的廣泛認可。他在全世界各地與交響樂團及指揮家合作演出，并且也經常在國際上最重要的音樂季和音樂節舉行獨奏及室內樂音樂會演出。2019年《華盛頓郵報》盛贊寧峰有著“奶油一樣細膩質感的音色和真實的情感”，《BBC音樂雜志》就寧峰近期的錄音評論道“悅耳又純粹的音色、無暇的音準、溫柔而令人陶醉的樂感”。
寧峰曾與指揮大師梵志登領銜的香港管弦樂團進行了歐洲、亞洲以及澳洲巡演，與曾在布達佩斯合作多次的指揮大師伊凡·費舍爾領銜的布達佩斯節日樂團合作進行中國巡演，與柏林音樂廳管弦樂團和指揮大師勞倫斯·福斯特的中國巡演，與合作多次的英國皇家利物浦愛樂樂團的中國巡演。其他令人矚目的演出包括與英國皇家愛樂樂團、伯明翰市立交響樂團、BBC愛樂樂團、BBC蘇格蘭交響樂團、洛杉磯愛樂樂團、美國國家交響樂團、赫爾辛基愛樂樂團、巴伐利亞廣播交響樂團、法蘭克福廣播交響樂團、俄羅斯國家交響樂團等樂團的合作。他曾與許多杰出的指揮家合作，包括指揮大師賈南德拉·諾塞達、瑪琳·艾爾索普、余隆、圖岡·索基耶夫、弗拉基米爾·斯皮瓦科夫、瓦西里·佩特連科等。
在中國，寧峰是最受尊重的音樂家之一；他定期與所有主要樂團合作，并在20/21樂季擔任上海交響樂團的駐團藝術家。20/21樂季一開始，寧峰就開始了他的中國巡演，在14個不同的城市演出貝多芬小提琴奏鳴曲。在此期間，他還與上海交響樂團、廣州交響樂團、中國愛樂樂團合作演出了貝多芬小提琴協奏曲。
在室內樂領域，寧峰與伊戈爾·列維特頻繁合作，他們曾經在舒伯特音樂節，在德國和倫敦的重要場館如倫敦威格莫音樂廳和巴比肯藝術中心等上演室內樂音樂會。他曾多次在基辛根夏季音樂節上演出，并與埃德加·莫羅、丹尼爾·穆勒-朔特和尼古拉斯·安格里希等藝術家合作。
荷蘭Channel Classics唱片公司為寧峰錄制了多張備受好評的唱片，他的新專輯Paganini: 24 Caprices + 1 收錄了帕格尼尼24首隨想曲及“告別”隨想曲，新專輯已于2021年1月正式發行。此前該唱片公司為寧峰發行的《巴赫無伴奏小提琴奏鳴曲與組曲全集》唱片被《留聲機》雜志稱贊為“與眾不同的錄音，這是一場充滿了想象力的音樂對話，觀眾也深深為之吸引”。其它已發行的錄音還包括埃爾加、芬濟、柴可夫斯基小提琴協奏曲以及布魯赫的《蘇格蘭幻想曲》，薩拉薩蒂、拉羅、拉威爾、 比才/沃克斯曼等作曲家為小提琴和樂隊而寫的作品，他作為龍四重奏成員錄制的舒伯特、德沃夏克、鮑羅丁、肖斯塔科維奇和魏因伯格四重奏作品集。
寧峰出生于中國成都，曾就讀于四川音樂學院，跟隨胡惟民教授，并在柏林漢斯·艾斯勒音樂學院和英國皇家音樂學院追隨Antje Weithaas和胡坤深造，寧峰是英國皇家音樂學院近兩百年歷史上在畢業獨奏音樂會上拿到滿分的學生。寧峰多次在國際舞臺上獲獎，包括漢諾威國際小提琴比賽、伊麗莎白女皇國際小提琴比賽和耶胡迪·梅紐因國際小提琴比賽等重要賽事。在2005年邁克·希爾國際小提琴比賽（新西蘭）中寧峰獲得第一名，在2006年寧峰在帕格尼尼國際小提琴比賽這項小提琴領域的賽事中獲得了金獎。
寧峰演奏的是一把由飛躍演奏香港有限公司提供的1710年斯特拉迪瓦里小提琴“維厄當”，他所使用的琴弦由維也納Thomastik-Infeld工作室制作。
Ning Feng, Violin
Ning Feng is recognised internationally as an artist of great lyricism, innate musicality and stunning virtuosity. He performs across the globe with major orchestras and conductors, and in recital and chamber concerts in some of the most important international series and festivals. In 2019 the Washington Post described him as “a wonderful player with a creamy, easy tone and an emotional honesty” and BBC Music Magazine said of a recent recording “silvery tonal purity, immaculate intonation and gently beguiling musicality”.
Ning Feng has toured Europe, Asia and Australia with the Hong Kong Philharmonic Orchestra and van Zweden, he has toured China with the Budapest Festival Orchestra with Iván Fischer, with whom he has also performed several times in Budapest, with the Berlin Konzerthaus Orchester and Lawrence Foster, and with the Royal Liverpool Philharmonic Orchestra with whom he has also worked many times. Other career highlights to date include performances with the Royal Philharmonic Orchestra, City of Birmingham Symphony, BBC Philharmonic, BBC Scottish, LA Philharmonic, National Symphony (Washington), Helsinki Philharmonic, Bavarian Radio Symphony, Frankfurt Radio Symphony, Russian National Symphony orchestras amongst others. He has worked with many eminent conductors including Gianandrea Noseda, Marin Alsop, Yu Long, Tugan Sokhiev, Vladimir Spivakov and Vassily Petrenko.
In China, Ning Feng is held in the highest regard; he appears regularly with all the major orchestras, and in 20/21 is Artist-in-Residence with the Shanghai Symphony Orchestra. At the beginning of the 20/21 season Ning Feng embarked on a tour of China, performing Beethoven’s Violin Sonatas in 14 different cities. During this period, he also performed Beethoven Violin Concerto with Shanghai Symphony Orchestra, Guangzhou Symphony Orchestra and China Philharmonic Orchestra.
In chamber music Ning Feng works regularly with Igor Levit and together they have performed at the Schubertiade Festival, and across Germany and London, including both Wigmore Hall and Barbican Centre. He has performed many times at Kissinger Sommer Festival, and has collaborated with artists including Edgar Moreau, Daniel Müller-Schott and Nicholas Angelich.
Ning Feng records for Channel Classics and his most recent disc ‘Paganini: 24 Caprices + 1’ was released in January 2021. His earlier recording of Bach’s complete solo works for violin was hailed by Gramophone as “unlike anyone else’s… it’s the illusion of a freewheeling conversation projected from within that held me captive." His discography also includes concerti by Elgar, Finzi, Tchaikovsky, Bruch (Scottish Fantasy), works for violin and orchestra by Sarasate, Lalo, Ravel and Bizet/Waxman, and with the Dragon Quartet works by Schubert, Dvořák, Borodin, Shostakovich and Weinberg.
Born in Chengdu, China, Ning Feng studied at the Sichuan Conservatory of Music with Weimin Hu, the Hanns Eisler School of Music (Berlin) with Antje Weithaas and the Royal Academy of Music (London) with Hu Kun, where he was the first student ever to be awarded 100% for his final recital. The recipient of prizes at the Hanover International, Queen Elisabeth and Yehudi Menuhin International violin competitions, Ning Feng was First Prize winner of the 2005 Michael Hill International Violin Competition (New Zealand), and in 2006 won first prize in the International Paganini Competition.
Ning Feng plays the 1710 Stradivari violin known as the ‘Vieuxtemps’, by kind arrangement with Premiere Performances of Hong Kong, and plays on strings by Thomastik-Infeld, Vienna.
Press Reviews 媒體評論
Ning Feng surprised with a direct, highly virtuosic approach, and after two dazzlingly masterful encores, he was justifiably celebrated.
寧峰以一種直接的、炫技的表演方式驚艷了現場的觀眾，并在獻上多個大師級的返場演繹后，現場響起了由衷的掌聲和歡呼聲。
Berliner Morgenpost
柏林晨郵報
Ning’s cool, slippery sound soared like a bird, the triplets beautifully shaped, the double-stopping in the Kreisler cadenzas pure and true, his vibrato lightly applied, just another colour in the palette.
寧峰清爽順滑的琴音像飛翔的鳥兒一般，在空中劃出了形態優美的三連音，《華彩：克萊斯勒》中純凈而真實的雙重停頓，以及他輕輕的顫音，都像是在演繹另一種顏色。
Times
時代周刊
Ning Feng displayed a gorgeous light touch with faultless intonation and deft bowing married to a sweet tone. The melodic lines were all smooth and beautifully shaped.
寧峰精湛無暇的技巧和敏捷熟練的弓法相互呼應，演奏出每個甜美的音符。所有的旋律在寧峰的演奏下被優美流暢地呈現在觀眾面前。
Daily Telegraph
每日電訊報
An absolute delight to hear a violinist so at ease with Paganini. So beautifully equipped to deal elegantly with any demand that he makes.
能聆聽到小提琴家如此輕松自如的演奏帕格尼尼真是太令人激動了，他的技巧完美到可以優雅自如地做到任何他所想要的音樂效果。
BBC Radio
英國BBC電臺
The Chinese violinist’s distinctive, honey-sweet timbre suits these two contrasting showcases by virtuoso violinist-composers to perfection: Feng wears their often fearsome technical demands disarmingly lightly, and is fully alive to the operatic qualities of the Paganini in particular, phrasing bel canto melodies and filigree passagework like a nineteenth-century diva at the top of her game.
寧峰這位中國小提琴家獨特而甜美的音色與這兩部由偉大小提琴作曲家譜寫的擁有鮮明對比的作品完美地契合在一起：作品中那些出了名的困難技巧片段在他的演奏下竟仿似簡單十足，特別是帕格尼尼的作品中所具有的如意大利美聲歌劇一般的音樂特點、斑斕高貴的經過句，寧峰的演奏猶如19世紀的女高音正處于頂峰狀態之時一般。
Presto Classical 數字音樂網站
This disc, containing Paganini playing that drives every other performance out of my mind while I am listening to it, makes me a Ning Feng fan.
在聽這張仿佛帕格尼尼本人演奏的專輯的時候，我不經意間便把其它演奏版本拋諸腦后，成為了寧峰的粉絲。
The Strad
英國古典期刊《弦樂》
For me the litmus test with any recording of Paganini’s mighty ‘24’ is the ‘Trill’ Caprice (No 6), where a mournful melody dominates one line with a tremolo shimmering away on another. Given a sympathetic player the textural combination will break your heart. Such a player is the Chinese-born, Berlin-based violinist Ning Feng, who lifts the music out of the flashy virtuoso catchment and places it squarely among the noble masterpieces for the instrument.
Many violinists will be humbled by Ning Feng’s musical and technical capabilities but more important than that is his ability to make the music palatable for listeners who wouldn’t normally gravitate to a sequence of 25 unaccompanied violin miniatures. The more you listen, the more you want to listen. The competition is fierce, of course: Augustin Hadelich’s similarly imaginative set (Warner, 2/18) works equally well, while Salvatore Accardo (DG, 9/78), Itzhak Perlman (Warner, 6/72) and Zehetmair (a personal favourite) also warrant serious attention. But Ning Feng is up there with the best of them, and he’s beautifully recorded to boot.
在我看來，帕格尼尼非凡之作《24首隨想曲》的任何錄音的試金石都是“顫音”隨想曲（第6號），其中哀傷的旋律支配著一條線，而顫音則在另一條線上閃閃發光。如果有一個有同情心的演奏者，這種結構的組合會讓你心碎。這樣的演奏者是目前居住在柏林的華人小提琴家寧峰，他將音樂從炫技的大師級作品中提煉出來，并將其置于高貴的小提琴杰作之列。
寧峰的樂感與演奏技巧讓眾多小提琴家為之折服，而更重要的是，他的音樂演繹讓人愉悅，即便是平時不太被這25首無伴奏小提琴小品所吸引的聽眾，也能夠被他的生動演繹所打動。聽得越多就越希望繼續欣賞下去。當然，奧古斯丁·赫德里希的一套同樣充滿想象力的演奏（Warner，2/18）也同樣出色，而薩爾瓦多·阿卡多（DG，9/78）、伊扎克·帕爾曼（Warner，6/72）和托馬斯·齊赫梅爾也都值得認真聆聽。但寧峰的出色錄音完全可以和優異的演奏家相提并論。
Gramophone
留聲機雜志
How would the violin legend and composer Niccolò Paganini (1782-1840) have reacted if he heard Ning Feng play his capriccios? Maybe he would have made them more difficult. The 24 capriccios for solo violin, published in 1817, are considered the bible for violin technique. They are intended to showcase the virtuosity, to raise the bar of the violin playing.
The thrill of listening to virtuoso pieces is that you hear and feel that someone is being challenged, usually it just works out.. We have now reached such a level that that element has disappeared. And that without any "look at me". The decapricciofication is complete, what remains is music full of passion. Ning Feng has played out Paganini.
傳奇小提琴大師、作曲家尼科洛·帕格尼尼（1782-1840）如果聽到寧峰演奏他的隨想曲，會有什么反應呢？也許他會把它們的難度再加大。1817年出版的為獨奏小提琴而創作的《24首隨想曲》被認為是小提琴技巧的圣經。它們旨在展示精湛的大師級演奏技巧，將小提琴演奏技藝的標桿提高到了一個全新的高度。
通常在聆聽炫技作品時，我們會聽到演奏者疲于應付技術的挑戰，演奏像是純粹的健身鍛煉，但在寧峰的錄音中完全不會讓人有這種感受。輕易間“解鎖”隨想曲之后，帶給聽眾的是充滿了激情的音樂表達。寧峰的演繹超越了以往傳統的對帕格尼尼音樂的理解。
De Volkskrant
荷蘭《人民報》
Discography 唱片名錄
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